Retrieved on July 30, 2008.
Tani's early films were principally with the small companies that were making pink films independent of the large studio system in the 1960s.
During the twelve years she worked as an actress, she never went to the beach or allowed herself to get a suntan, feeling that it was important to keep her skin very white, so that it could be seen turning red during some of the scenes involving such things as whippings or melting candle wax tortures.
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There is however a fragility to her voice, a cracking sense of the truly erotic, the unseen, the taboo which drapes each syllable.
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